
| Harriet Craig | |
|---|---|
![]() VHS cover |
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| Directed by | Vincent Sherman |
| Produced by | William Dozer |
| Written by | Play: George Kelly Screenplay: Anne Froelich James Gunn |
| Starring | Joan Crawford Wendell Corey |
| Music by | George Duning Morris Stoloff |
| Cinematography | Joseph Walker |
| Editing by | Viola Lawrence |
| Distributed by | Columbia Pictures |
| Release date(s) | |
| Running time | 94 min. |
| Country | |
| Language | English |
Harriet Craig (1950) is a Columbia Pictures feature film starring Joan Crawford in a tale of an insensitive woman attached to her house and its furnishings. The screenplay by Anne Froelick and James Gunn was based upon a play by George Kelly. The film was directed by Vincent Sherman and produced by William Dozer. Harriet Craig is the second of three cinematic collaborations between Sherman and Crawford. The film has been released to VHS.
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Neurotic perfectionist and 'queen of clean' Harriet Craig (Joan Crawford) makes life miserable for everyone around her, especially her likeable husband Walter (Wendell Corey). When it appears he will receive a work assignment that will interfere with her status quo, she undermines the plans and later succeeds in keeping his best friend Billy Birkmire (Allyn Joslyn) from the house. When her young cousin Clare (K. T. Stevens) falls in love with Wes Miller (William Bishop), Harriet puts an end to the romance for her own inexplicable reasons. Eventually, her husband gains intimations of his wife's real nature. He smashes her favorite vase and walks out, leaving Harriet to her one true love - her perfect house.
The movie was based on the play Craig's Wife by George Kelly, and two earlier film versions titled Craig's Wife, the first in 1928, directed by Cecil B. DeMille [1], and the second in 1936, directed by Dorothy Arzner and starring Rosalind Russell [2].
Variety commented, "Joan Crawford does a prime job of putting over the selfish title-character" and Otis Guernsey of the New York Herald Tribune wrote, "[Crawford] remains, as always, a stylish performer in her clear and forceful characterization."[3]
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